
Plot Outline: A mysterious serial killer is hunting other serial killers - and one FBI agent suspects there may be more to the vigilante than they imagine.
Suspect Zero is summed up by its first sequence. A guy in a diner (clichéd already but never mind that.) looks nervous, then he becomes extremely scared when someone bumps his window, now just imagine this with the worst acting you can imagine and you will begin to imagine the scene. I'm not going to continue because this, I believe, illustrates how poorly directed this movie is. The entire movie is littered with facts and a plot but you never engage.
Things I learned as a filmmaker from this film:
The reactions of the characters need to be based on the facts, not on desired results. For example the scene I just described, I know exactly what happened. The director thought to himself that this character would be on edge because as we find out later he is a killer. However, we don’t find out he is a killer till more than halfway through the film, and the character looks completely normal. But we the audience don’t know any of that, and his response comes across as unjustified, contrived, generic, and as bad acting. All that from bad direction.
Leaving the audience out of details to build suspense doesn’t work if your audience doesn’t know anything. Same scene, the bump was intended to be a suspenseful moment, but how the heck was I supposed to know that when I don’t know anything? This is echoed by a quote from
”>Wesley Morris’s review, from the Globe Staff: “The movie just confuses and annoys you into not caring.”
The audience can tell when a scene is contrived, and unnecessary.
A bump is not scary!
And lastly, if you cry wolf before right off the bat no one will trust you. Same scene, we had nothing invested and the narrator already tried to trick me.
This film was Directed by E. Elias Merhige ebert
Shadow of the Vampire is good so I think I will check it out.